Photographer by profession and dedicated amateur by hobby´, the ever-popular Elliott Erwitt prizes his personal snaps above all his work. When otherwise idle in New York or with spare time on his hands during his frequent travels, Erwitt indulges himself at museums and art exhibitions, considering the art, watching people and taking pictures. In Museum Watching, Erwitt presents his visual observations on the museum together for the first time in book form, including photographs from the late 1950s through ´
