Renzo Piano follows no fashions of form or theory, nor is he limited to a personal idiom. Instead he concerns himself with the specifics and potential of a particular situation and moment, meeting the challenges of the programme, pushing the limits of technology, but always responding sensitively to the topography or urban fabric of the buildings site. This fourth volume on Renzo Piano provides an illuminating study of the architects working method, in particular his regard for context, followed by a pre
