The publication of the third volume of Repertory of Artists in Mexico marks the succesful completion of a formidable undertaking: the production of the three volumes that comprise this collection which provides a unique panorama of art history in Mexico. Its unique ture resides in its origil perspective: the biographical and professiol profiles of those artists who, throughout 500 years, have contributed to the configuration of the multifaceted, fasciting visage of our complex visual arts or, as Ocatvio Paz observed, this Repertory of Artists in Mexico not only recounts thehistory of art in Mexico but also that of its protagonists´. ´
